Dance pervades everything, first and foremost between two bodies falling in love with each other. Intertwining his world with Pina Bausch’s with Club Amour, Boris Charmatz brings new gestures to the language of passion and invites the audience to a crazy night, composed of three plays, which love, desire, fantasies constitute the heart.

Passion does not give any warning, it comes unpredictably and brutally. Aatt enen tionon, very first play by Boris Charmatz in 1996, is a staggering superposition of separated, dancing bodies, yet together. Herses (1997) was also greatly intense : a choreography in which completely nude skins never leave one another.